Friday, January 15, 2016

Triumphant Entry, March 29 2015




“Triumphant Entry into Jerusalem” by He Qi* depicts the events of Palm Sunday that marked the fulfillment of the prophecy made in the Old Testament:

Zechariah 9:9-10 (NIV)
9    Rejoice greatly, Daughter Zion!
      Shout, Daughter Jerusalem!
      See, your king comes to you,
      righteous and victorious,
      lowly and riding on a donkey,
      on a colt, the foal of a donkey.
10 I will take away the chariots from Ephraim
      and the warhorses from Jerusalem,
      and the battle bow will be broken.
      He will proclaim peace to the nations.
      His rule will extend from sea to sea
      and from the River[a] to the ends of the earth.

The entry of Christ into Jerusalem is found in all the Gospels - Matthew 21, Mark 11, Luke 19, and John 12. 

Each reports in some fashion Jesus instructing his disciples to find the donkey and bring it for him to ride and thereby fulfilling the prophecy. 

Mark 11 (NIV)

1        As they approached Jerusalem and came to Bethphage and Bethany at the Mount of Olives, Jesus sent two of his disciples, 2 saying to them, “Go to the village ahead of you, and just as you enter it, you will find a colt tied there, which no one has ever ridden. Untie it and bring it here. 3 If anyone asks you, ‘Why are you doing this?’ say, ‘The Lord needs it and will send it back here shortly.’”

     4     They went and found a colt outside in the street, tied at a doorway. As they untied it, 5 some people standing there asked, “What are you doing, untying that colt?” 6 They answered as Jesus had told them to, and the people let them go. 7 When they brought the colt to Jesus and threw their cloaks over it, he sat on it. 8 Many people spread their cloaks on the road, while others spread branches they had cut in the fields. 9 Those who went ahead and those who followed shouted,
                        “Hosanna!”
                        “Blessed is he who comes in the name of the Lord!”
      10             “Blessed is the coming kingdom of our father David!”
                        “Hosanna in the highest heaven!”

At the conclusion of Luke’s account, we see the beginning of the seeds of the Pharisees’ dissatisfaction with the praise given Jesus and his rebuke of them.

Luke 19 (NIV)

37 When he came near the place where the road goes down
the Mount of Olives, the whole crowd of disciples began joyfully to praise God in loud voices for all the miracles they had seen:

38 “Blessed is the king who comes in the name of the Lord!”[b]
      “Peace in heaven and glory in the highest!”
39 Some of the Pharisees in the crowd said to Jesus, “Teacher, rebuke your disciples!”

40 “I tell you,” he replied, “if they keep quiet, the stones will cry out.” 41 As he approached
 Jerusalem and saw the city, he wept over it 42 and said, “If you, even you, had only known on this day what would bring you peace—but now it is hidden from your eyes. 43 The days will come upon you when your enemies will build an embankment against you and encircle you and hem you in on every side. 44 They will dash you to the ground, you and the children within your walls. They will not leave one stone on another, because you did not recognize the time of God’s coming to you.”

John reports the lack of awareness on the part of the disciples of what was going to transpire. (John 12:16).

John 12 (NIV)

16 . . . his disciples did not understand all this.
Only after Jesus was glorified did they realize that these things had been written about him and that these things had been done to him.

The entry into Jerusalem set in motion the events of Holy Week.  Palm Sunday (identified by the branches the people waved and place before Jesus on his entry) marks the beginning of our celebration of Holy Week and the events that led to the crucifixion and resurrection.

 “Triumphant Entry into Jerusalem” painted by He Qi captures the moment in a style that is in contrast to traditional Western depictions of this moment.  Jesus and the crowd are presented in vibrant colors with the strong reds and blues being the primary colors- in stark contrast to what is found in many Western paintings.  In addition, the individuals (and even the donkey) seem to have an Asian appearance.  The sign on the wall identifies the location as “Jerusalem” in Chinese characters.

He Qi (pronounced “Huh Chee”) is a Chinese Christian artist who originally came to Christ and began to develop his unique artistic style in the midst of Mao ZeDong’s Cultural Revolution.  He and his family were sent into the fields as part of the “reeducation process of Chinese intellectuals.  As a young man, he escaped hard labor by painting pictures of chairman Mao. At the time of the Cultural Revolution the atmosphere was one of struggle, of hatred, of criticism. All around you could only see images of struggle and criticism. It was hard to find any images of peace.

One day he happened to come across a very old copy of a magazine which contained a picture of the painting "Madonna and Child" by Raphael. Qi was extremely moved by this painting with the Madonna smiling and the little baby Jesus also smiling and felt a great sense of peace. After this, Qi began to paint portraits of Chairman Mao by day and then, late at night, completed copies of the "Madonna and Child," both sketches and oil paintings.

The art of He Qi is best understood when it is seen as a reinterpretation of sacred art within an ancient Chinese art idiom. Chinese religious art, being an expression of Buddhism, was historically typified as a tranquil and utopian portrayal of nature, often painted with black ink and water. He Qi is especially influenced by the simple and beautiful artwork of the people in rural China. Within that framework, he seeks to redefine the relationship between people and spirituality with bold colors, embellished shapes and thick strokes. His work is a blend of Chinese folk art and traditional painting technique with the iconography of the Western Middle Ages and Modern Art.

His work initially met resistance within the Chinese Christian Community.  Traditional pastors had been shaped by Western missionaries and felt depictions of Biblical scenes should reflect a Western vision of the events.  Qi, in contrast saw the need to help Chinese identify with Christianity by capturing the scenes from a Chinese perspective.

After the Cultural Revolution He Qi went on to obtain a doctorate in Religious Art and received a award for outstanding achievements in religious art from Cambridge.  He has taught at Nanking University and is currently a resident of Minnesota and is a guest professor at Drew University. *This picture was reprinted with permission from the artist.

Reflection – if Jesus were to return today in a form not as traditional as we expect, would we greet him with celebration and recognize the fulfillment of the Scriptures?  Or would we be like the Pharisees and express dissatisfaction and disbelief?

During Holy Week let us remember the Good News is to be shared with all God’s people.

- Paul Cropley

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